When You Come, Then You'll See: Real Drama! (i.e. Not My Own)
In both my Intro to Lit and Creative Writing classes I've been covering drama for the past two weeks, and it's been a light, bright breath of fresh air in a semester that's kind of stagnating. It means I get to show scenes from movies I love and respect (since scenes of stage plays are damn near impossible to get) and talk about how text and visual image intersect, how story is developed, how tension is created and dissipated, symbols, differences between direction and script, etc. I've been using Lucas Hnath's Red Speedo in creative writing, which is brilliant and darkly funny -- but only one of my students really commented on its humor. I thought that was strange. (Are we so far into the semester and the joylessness of deadlines that students can't pick up on jokes?) Always. Be. Closing. Anyway, Hnath's writing in that particular play has been compared to Mamet, another of my loves, and while I kinda see the comparison, I more or less used i