The Pressure of Silence, Poems Like People, and the Pleasures of Digging Snow
"Much contemporary verse is colloquial, prosaic, apparently 'free,' going about its business without rhyme or meter or stanzaic pattern of any kind. But such poems, to survive, need two essential components: first, their makers need to have truly mastered line-break, which is simply to say that he or she can keenly feel the pressure of silence; second, the poem must act upon you in a way that resembles a human encounter. For alone, in your memory, you, you , what's the difference -- to the cells, to the synapses -- between a poem you remember and a person you recall? You want lamps to go on." --from the essay/chapter "Black" in On Poetry by Glyn Maxwell On Poetry is one of the best books on prosody. It's more entertaining and far less technical than Robert B. Shaw's "Blank Verse," but both books together provide a fairly robust (and readable) education in poetry. This quote is another pulled from my last journal, part of my &qu